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Arm guard, Steel

Arm-guards are crucial components of a warrior's armour. The Bajuband was one of the most preferred styles of armguards that continued to be in use in the Subcontinent for as long as the armour was worn. Though it could have been worn on either of the hands, it would often be worn on the bridle hand by cavalrymen or the hand holding a sword or weapon by soldiers on foot (Syed Haider).
This right-hand vambrace is a beautifully embellished piece. It is decorated with arabesques, floral and cursive patterns damascened in gold. Such antiquities highlight excellent design capabilities in which objects of regular use were created not only to be highly functional but extremely beautiful as well. Such antiquities illustrate the advancement in metallurgy as well as the exquisite craftsmanship and aesthetics of the Mughals. It is important to underline that a weapon was also a crucial indicator of the status and social positioning of its owner. The more ornamented the weapon, the higher the social positioning of its owner. Not only were arms adorned to aid the warrior on the battlefield, but also to act as a badge of honour that dictated the stature of the soldier in the larger community.

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This vambrace for the right hand consists of two concave metallic plates, made of Damascus steel. The larger one protects the front portion of the forearm from the elbow to the wrist, while the other plate, which is nearly half the height of the first, protects the inner portion of the forearm. Both of these plates are hinged together with two clamps along one edge. The arm guard can be worn by fastening the two buckles located along the opposite edge of the plates.
To prevent chafing the skin, the armguard has been lined with a think red silk padding from inside. Both of the metallic plates have been beautifully embellished. A rich floral pattern damascened in gold adorns the border of the plates, while geometric lines and beautifully set floral motifs between them decorate the middle portion of these plates. The engraving and the damascened gold are faded off at different places. 
 

  • Period:
    18th century
  • Source:
    National Museum
Period 18th century Category
Source National Museum
Dimensions Material & Production Techniques